Roleplay scripts · Sensual

🎨 The Personal Chef 2.0

The kitchen counter is set up like a class station: brushes, a plastic sheet, and small bowls of things that are safe to eat and easy to spread. Set the room up first and the scene carries itself from there. The Personal Chef 2.0 runs 50–75 min at Playful → Sensual, with 3 roles, 4 props and the safeword “Simmer”.

Duration50–75 min
IntensityPlayful → Sensual
Roles3
Props4
Safeword“Simmer”
Acts5
CostFree — no account, no pass

A: "That's not how you hold a brush."

B: "Then show me. Properly. Again."

Who plays who

  • A — The Instructor: runs the class, has opinions about technique, is not paid enough.
  • B — The Student: here to learn, and mostly here to be painted on.
  • A leads Acts 1–3. B teaches one lesson of their own in Act 4.

What you need

  • Body-safe, edible body paint only — melted chocolate, fruit purée, yogurt, honey, all safe to eat
  • No spray paint, no oil paints, no craft paint. If it is not meant to be eaten, it does not come near skin.
  • Brushes, sponges, and a plastic sheet or a large towel you do not mind ruining
  • A warm towel and a shower for afterwards, plus a bin for anything that touched skin

Act 1 — 🕯️ Setup

The kitchen counter is set up like a class station: brushes, a plastic sheet, and small bowls of things that are safe to eat and easy to spread. A is the instructor and starts with a demonstration on their own forearm. The first strokes go on the arm, not the body — this is a lesson before it is anything else.

Beats

  • Ten real minutes of technique: how to load a brush, how to lay a line, how to keep it out of eyes.
  • The first painting happens on A's own forearm as a demonstration. B watches, then copies on their own arm.
  • A corrects B physically — hand over hand — and is unnecessarily close about it.

Lines to say

  • "No — like this. Watch the wrist, not the brush."
  • "You're loading it wrong. Come here, I'll show you again."
  • "This is a class. There will be a test."

Act 2 — 🔥 Build

The arm is finished and the instructor moves the canvas inward — shoulder first, then the curve above the hip. Each new area has to be asked for before the brush goes near it, and the answer has to be a spoken yes every time.

Beats

  • Ask before every new area, out loud, every single time.
  • Move outward: shoulder, collarbone, sternum, ribs, the small of the back.
  • B is not allowed to touch the paint. Only the instructor decides what is painted and what is wiped.

Lines to say

  • "I'm moving to your shoulder now. Yes or no?"
  • "Hold still. I don't want to waste any of it."
  • "You flinched. Should I paint there, or leave it?"

Act 3 — ⚡ Escalate

The paint has stopped being a demonstration. The instructor is working on larger canvases now, and the brush has been abandoned in favour of hands. Everything still has to stay edible and outside, which makes this act slower and far more deliberate than a class has any right to be.

Beats

  • Boundaries do not move: edible, external, never near eyes, never inside the body.
  • The instructor uses hands and mouth now, not just brushes.
  • B may only react — arch, breathe, say the instructor's name.

Lines to say

  • "This part isn't on the syllabus."
  • "Don't move. You'll smudge it."
  • "Tell me what you taste."

Act 4 — 💥 Climax

The lesson plan is in the bin. B takes the brush and the instructor has agreed to be the canvas for one course, and one course only.

Beats

  • B leads for one course. A does not get to correct anyone.
  • Everything edible and external, exactly as agreed, right to the end.
  • Nobody narrates. The teaching is finished.

Lines to say

  • "You said I had to follow instructions. Follow mine."
  • "Keep your hands where I can see them, teacher."

Act 5 — 🤍 Aftercare

The paint is drying on the sheet, the bowls are empty, and you are both still standing in the kitchen.

Beats

  • Shower the paint off together. Anything edible goes in the bin, not down the drain.
  • Wipe the counter and bin the sheet. Nobody cleans the floor tonight.
  • Say one thing you liked and one thing for the next class, out loud.

Lines to say

  • "Best class I've ever taught."
  • "Next time we use two colours."

Aftercare

Shower the paint off together, bin anything that touched skin, and wipe the counter down before you leave the kitchen.,Order food in — nobody cooks again tonight — and eat it somewhere comfortable, sitting down.,One sentence each about the class, and check that nothing landed anywhere it should not have.

Ground rules and consent

  • Only body-safe, edible paint. Nothing shop-bought that is not meant to be eaten — no spray paint, no oil paints, no craft paint, ever.
  • Paint stays on the outside of the body. Never near eyes or mucous membranes, and never inside the body.
  • "Simmer" stops the class instantly, brush down, mid-stroke, no explanation owed.
  • Allergies and intolerances are named out loud before a single thing is opened.

If it lands well, Massage, properly is the natural next read.

Frequently asked

Do we need props for The Personal Chef 2.0?

You can run The Personal Chef 2.0 with a single prop and nobody watching would know the difference. That prop is body-safe, edible body paint only.

Can The Personal Chef 2.0 work on a weeknight?

On a weeknight, play Acts 1–3 and save the rest. It does not have to finish in one go.

Is The Personal Chef 2.0 free to read?

Reading it costs nothing. The only thing The Personal Chef 2.0 asks for is a conversation before you start.

What happens if someone calls the safeword during The Personal Chef 2.0?

The scene ends on the spot, and “Simmer” needs no explanation.

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General education for consenting adults — not medical, psychological or therapeutic advice. Read our editorial standards and content policy.

Further reading on consent and pacing: AASECT, the Kinsey Institute. How we write these.