| Duration | 45–65 min |
|---|---|
| Intensity | Playful → Intense |
| Roles | 3 |
| Props | 4 |
| Safeword | “Turpentine” |
| Acts | 5 |
| Cost | Free — no account, no pass |
B: "How long do I have to stand like this?"
A: "Until it's finished. Artists are monsters."
Who plays who
- A — The Artist: smock on, brushes out, absolutely no formal training.
- B — The Model: standing still, slowly losing patience with being a still life.
- A paints first. Whoever has more paint on them by Act 3 gets to paint the other.
What you need
- Body-safe paint only — cosmetic or edible body paint, made for skin and safe to taste
- Flat brushes, sponges and a wide dish. No spray cans, no oil paints, no craft paint
- Painting only where the paint is safe to ingest — arms, back, stomach, legs. Never near eyes or mucous membranes, and never inside the body.
- A sheet for the floor, warm water, and a soft cloth for the removal afterwards
Act 1 — 🕯️ Setup
The sheet is down, the paints are out, and B is standing in the middle of the room being told to hold still. A has no idea what to paint and is behaving as if it is already a masterpiece. The first marks go on the arms and the back only.
Beats
- Paint actual shapes on skin with real brushes. Take it seriously for ten minutes.
- Arms, back and shoulders only. Nothing the other person cannot see.
- Test every colour on a wrist before it goes anywhere else.
Lines to say
- "Hold still. Artists don't like wriggly models."
- "This one's a landscape. You're the hill."
- "Don't touch it. It's not dry."
Act 2 — 🔥 Build
The painting has moved off the arms onto the stomach and ribs, and A is working much closer than a real class would allow. B has stopped complaining. Every new area gets named before the brush touches it.
Beats
- Move to a new area only after B names it out loud and agrees.
- Change tools with each area: brush, sponge, fingertips, and back again.
- B keeps still and lets the artist work, even where it tickles.
Lines to say
- "This one goes on your stomach. Say yes or no."
- "Don't laugh. You'll ruin the line."
- "You're a better canvas than I expected."
Act 3 — ⚡ Escalate
The paint is on, the painting is finished, and the description promised a lick-off. B is covered in colour and A has been waiting for this since the first line. The lick-off happens only where the paint is safe to ingest.
Beats
- Remove the paint with the mouth, one safe area at a time, and only where agreed.
- Clean the outer limbs first and the torso last. Nothing near eyes or mucous membranes.
- B stays still and lets the artist finish each area completely.
Lines to say
- "You said you'd clean it off. So start at the wrist."
- "Hold still. You're not clean until I say so."
- "This is the part the gallery doesn't see."
Act 4 — 💥 Climax
The paint is gone and there is no reason left to be standing up. The sheet is the only clean thing in the room, and it is about to stop being clean. Nobody is an artist or a model now.
Beats
- No narration, no more brushes, no more describing anything.
- Take it off the wall, off the chair, onto the sheet. Anywhere but standing still.
- Whatever the first three acts built gets used here.
Lines to say
- "Come here."
- "Don't stop."
- "Look at me."
Act 5 — 🤍 Aftercare
The paint has dried in odd places and you are both lying on a ruined sheet. Every trace comes off before either of you settles.
Beats
- Warm water and a soft cloth. Get every trace off, gently, all over.
- Check the skin you painted for any reaction, and say so honestly.
- Clean and dressed, say one thing you liked and one area you want painted next time.
Lines to say
- "You made a much better canvas than you think."
- "Next time, more colour, less standing still."
- "No redness anywhere. Good."
Aftercare
Warm water and a soft cloth until every trace of paint is gone, checking the skin for any reaction as you go.,Clean and dressed, one thing each that you liked, and one area you want painted next time.,Confirm out loud that only body-safe paint touched safe areas — never near eyes or mucous membranes, and never inside the body.
Ground rules and consent
- Body-safe, skin-friendly paint only, and only where it is safe to ingest. Nothing near eyes or mucous membranes, and nothing inside the body — ever.
- The lick-off happens only where the paint is safe to ingest, and only on the areas we name before starting.
- Allergies and sensitive skin get tested on the wrist ten minutes before anything starts.
- "Turpentine" stops the class instantly, brushes down, and the paint gets washed off in warm water.
Read Massage, properly first if one of you wants more context.
Frequently asked
How long does The Painting Class take?
You can play The Painting Class in 45–65 min if you skip the setup chat, but the setup is where half the value is.
Do we need props for The Painting Class?
Not strictly. 4 props are suggested and the scene plays without any of them; the one it assumes is body-safe paint only.
What happens if someone calls the safeword during The Painting Class?
Whoever calls it does not have to explain, and whoever hears it does not get to negotiate — that holds in The Painting Class too.
Is The Painting Class free to read?
No subscription and no credits: The Painting Class and the other hundred scripts are readable right now.